© » KADIST
Randa Maroufi
Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta. The film is a portrait of the ‘doorway to Europe’, a place where a murky economy of semi legal exchanges take place across a border anomaly. The border is represented by painted lines across the tarmac, as innocent as playground markings but with far greater consequences.
© » KADIST
Randa Maddah
A woman meticulously tidies up the room of a ruined house in the village of Ain Fit in the occupied Syrian Golan. The village was destroyed by the Israeli forces in 1967, as was the case for many other villages. Inhabitants were prevented from returning to their homes, fleeing to Syria’s refugee camps, separated from the rest of their families.
© » KADIST
Randa Maddah
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war. Located on the cease-fire line, residents of Majdal Shams are reminded of this tragic separation on a daily basis. During the war the majority of the local population were exiled to Syria.
Randa Maddah
Randa Maddah, was born 1983 in Majdal Shams, occupied Syrian Golan...
Randa Maroufi
Randa Maroufi works with video, photography, installation and performance, growing up among a society dominated by images, she is as critical and as skeptical of them as she is attracted to them...